For a number of reasons, I took my day-off this week today, rather than yesterday. Taking advantage of some wonderful Indian summer weather, Sybille and I drove just over one hundred kilometres south-east of Prague and explored the interesting historic town of Pelhrimov. A much longer and more detailed post about the town will follow shortly. But tonight, I just wanted to post about one fascinating discovery that we made today, whilst exploring this delightful town.
At one corner of Masarykovo námestí, the main square in the centre of Pelhrimov, is the Church of St Bartholomew – kostel sv Bartolomej. The Church dates from the late thirteenth/early fourteenth century and much of its exterior walls are decorated with sgraffiti as can be seen in this photograph. But in the small curved alcoves on the outside of the chancel walls, we found the remains of several frescos. I have no idea either as to their origin or of their age, but my educated guess is that they are probably several centuries old.
This first one is a depiction of the presentation of Christ in the Temple, as described in Luke 2. 22-40. At the top of the fresco is Simeon, holding the infant Jesus. Next to Jesus is his mother Mary, in blue. Next to her, is the prophetess Anna, whilst at the bottom left is Joseph.
This second fresco is of Jesus praying in the Garden of Gethsemane on the night before his crucifixion. Jesus is shown praying to his Father saying, ‘Yet not what I will, but what you will.’ Mark 14. 36. The artist portrays Jesus receiving angelic support from above.
This third fresco shows a scourged Jesus being presented to the people. The scene is often called Ecce homo, the Latin words for ‘Behold the man’, found in John 19. 5.
I am quite amazed as how this wonderful artwork has actually survived all these years, despite the physical elements of rain and snow, and nearly forty-two years of Communist rule.
Along with Fairy Chimneys, the other unique attraction in Cappadocia is a whole series of Underground Churches, carved into the soft rock. Most have been decorated internally with an amazing variety of wall paintings and frescoes. There are rock carved Churches scattered right across Cappadocia but some of the most interesting and best preserved, lie in the upper part of the Göreme Valley, a few kilometres west of Ürgüp.
Christians settled in this part of Cappadocia in the second and third centuries AD. They carved and built these Churches and associated settlements, seeking to escape Roman persecution of their faith. After the Roman Empire adopted the Christian faith, there was less need to hide away in this remote area. But monastic and teaching communities remained.
From the seventh century AD and onwards, the increasing spread of Islam led more Christians to settle or re-settle here. Existing Churches were altered and expanded and newer ones carved out of the soft rock. From what I can discover, these Churches were not abandoned until sometime in the thirteenth century.
When I stayed in Ürgüp and visited these fascinating Churches in the Göreme Valley back in 1975, there were relatively few visitors and virtually no tourist infrastructure. A local Turkish young man took us around, showing us how to reach some of the more interesting and accessible ones. Access to some Churches was by steps cut into the cliff face which would send present-day health and safety executives into apoplexy.
This complex of Churches is now designated the Göreme Valley Open-Air Museum. The whole area is fenced off and managed. An entrance fee is charged, access paths made of stone cobbles have been laid, and ladders with handrails erected to allow for safer access to the Churches. Below the pedestrian entrance to the site, there is a coach and car park, with the usual associated stalls selling touristy souvenirs.
Inevitably, many of the wall paintings and frescoes are damaged. Partly this is due to damp, wind and temperature change. But many of the paintings at lower levels were also vandalised in the past by shepherd boys and similar people who used the cave Churches for shelter and believed, according to Islam, that the images were sinful. Certainly the paintings and frescoes are now being protected from any further damage, flashlight photography is banned and it would appear that at least some are beginning to be restored.
The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church. In the half-length image, Christ holds the New Testament in his left hand and makes the gesture of teaching or of blessing with his right. Below are two different examples from the Göreme Underground Churches taken 35 years apart.
Some of the early decoration of the Churches was quite simple in design and done with red pigment directly onto the walls. An example of this is below left. Later decoration was much more advanced with what is clearly recognisable as an Eastern Orthodox artistic style. These paintings were usually done on a thin layer of plaster laid over the bare stone walls, often covering up the earlier simple decoration.
Here from the Tokali Church, the largest Church in the Goreme Valley, is an example of both early and later styles of decoration. It is possible to see where some later painting on plaster has been placed over the earlier simple decoration that had been painted directly on the rock walls.
