The Velvet Revolution – 20 years on

Charcoal roasted ham being cooked on Old Town Square © Ricky Yates
Charcoal roasted ham being cooked on Old Town Square © Ricky Yates

Yesterday, Tuesday 17th November 2009, marked the twentieth anniversary of the start of the events that led to the ‘Sametová Revoluce’, the Velvet Revolution, which saw the demise of the Communist government that had ruled Czechoslovakia for previous forty one years. As I mentioned in my recent blog post about Holidays and Celebrations in the Czech Republic, 17th November is now kept as a public holiday entitled ‘Struggle for Freedom and Democracy Day’.

Although not a Czech and having only lived here for 14 months, I was still interested to see how the momentous events of twenty years ago would be celebrated. So early yesterday afternoon, Sybille and I set out from our flat and travelled by bus and Metro to the centre of Prague, in order to soak up the atmosphere.

One thing the Czechs have become very good at is attaching a midweek public holiday to the nearest weekend and thus creating a long weekend. Therefore most schools and university faculties were also closed on Monday 16th as students and staff were granted a Headteachers/Deans holiday. As one Czech parent said to me, “If it wasn’t granted as a holiday, most people would take it as one anyway!”

However, in contrast to those enjoying a four-day weekend, most retail outlets were open on Tuesday. Our local Billa Supermarket had a notice declaring that on 17th November they would be open ‘normal Tuesday hours’. In Prague city centre, most shops, not just those aimed at tourists, were also open as normal for business. Twenty years on from the fall of communism, the capitalist free-market has well and truly established itself in the Czech Republic!

Display Board explaing the events of 1989 © Ricky Yates
Display Board explaining the events of 1989 © Ricky Yates

We went first to Staromestské námestí/Old Town Square where we understood various attractions had been laid on. We stupidly arrived two minutes too late and missed out on the thirty minute period when beer was being sold at the communist era price of just under 3 Kc for 0.5l. In UK terms that is about 10p a pint! However, we did enjoy some ham that had been freshly charcoal roasted over an open fire, accompanied by a cold beer. But for that privilege, we had to pay nearer the 2009 tourist price.

We then walked across to Václavské námestí/Wenceslas Square. At the Muzeum end of the square, were a series of display boards explaining in Czech and English, the events of 1989 that culminated in the capitulation of the Communist government and the election of the dissident playwright Václav Havel, as President on 29th December that year. The first of these events were students gathering in Wenceslas Square to mark the twentieth anniversary of the self-immolation of Jan Palach on 19th January. This and subsequent gatherings in what has become known as ‘Palach Week’, were forcibly dispersed by the National Security Corps officers using batons and water cannons.

Candles and flowers at the memorial to Jan Palach & Jan Zajic © Ricky Yates
Candles and flowers at the memorial to Jan Palach & Jan Zajic © Ricky Yates

Between the site of the display boards and the towering statue of Sv. Václav/St. Wenceslas on his horse, there is a small memorial to Jan Palach and another self-immolator Jan Zajic. In front of the memorial, many people had laid flowers or lit votive candles and several more people came to light candles as we stood in silence in front of the memorial. It had just gone dark and the flickering light of the candles made for a quiet evocative atmosphere.

We then set off back down Wenceslas Square and turned left into Národní where the main action of the day was due to culminate. On 17th November 1989, a large group of students who were trying to march from Albertov to Wenceslas Square, were attacked and severely beaten by riot police in Národní, the main thoroughfare from the banks of the River Vltava leading to the square. The reaction of the wider public to this violent action by the Communist authorities against their own people, was the catalyst for a series of daily demonstrations of an ever increasing size, which eventually brought about the end of the oppressive regime.

Yesterday, that march was re-enacted by several thousand people. Whilst also ending in Národní, instead of violence, more candles were lit at the site of the 1989 event, speeches were made and the national anthems of both the Czech Republic and Slovakia were sung. Suddenly, with very loud bangs and plumes of smoke, a ‘curtain’ of fireworks exploded symbolising the collapse of the Iron Curtain. Then, a street concert began, beamed and broadcast onto large screens erected at various points in the street, as well as live on Czech television.

Re-enactment of the 1989 demonstration in Národní © Ricky Yates; Note the somewhat less welcome post-communism arrival of 'Thai Massage' and the 'Admiral Casino'!
Re-enactment of the 1989 demonstration in Národní © Ricky Yates; Note the somewhat less welcome post-communism arrivals of 'Thai Massage' and the 'Crystal Palace Casino'!

One of the very good things about yesterday’s re-enactment was the number of young people who took part in it, as well as those who were re-tracing the steps that they themselves had walked twenty years before. I have often heard the complaint from numerous older Czech people who lived and suffered under the Communist regime, that the young people of today do not appreciate the freedom they have – the freedom to travel, to express their own views, to be educated rather than indoctrinated. Yesterday, at least some Czech twenty-somethings, did think it important to go out and commemorate such a significant event in the history of their country.

One rather ironic observation I noted was the role of the police. There was a sizeable police presence in central Prague overseeing yesterday’s events. They too all seemed rather young. Sybille wondered whether older officers, who might have been around twenty years ago, had been shipped off to the countryside for a few days! But instead of attacking the crowds, they were seeking to protect them, directing traffic away from streets pedestrianised for the day and ensuring that no one got hurt in the crush.

CNN News Crew in Wenceslas Square © Ricky Yates
CNN News Crew in Wenceslas Square © Ricky Yates

The ultimate irony was in relation to the news media. On Wenceslas Square, we came across the mobile base for a CNN News crew. Under the awning attached to their van, they had a laptop computer set up which was showing clips of the events twenty years previously. The short bit I watched included a clip where a riot policeman deliberately comes across to the TV camera and puts his hat over the lens to try to prevent filming of the violence directed at the student protesters. Yesterday, one of the main police tasks was protecting TV vans and outside broadcasting facilities so that pictures of the events could reach the whole of the Czech Republic and the wider world!

Former Dissidents being interviewed for TV on Národní © Ricky Yates; If anyone can identify either of them, please let me know!
Former Dissidents being interviewed for TV on Národní © Ricky Yates; If anyone can identify either of them, please let me know!

The Underground City at Derinkuyu

Tunnel in the Underground City at Derinkuyu © Ricky Yates
Tunnel in the Underground City at Derinkuyu © Ricky Yates


Because of the soft nature of much of the rock that covers Cappadocia, not only are there Underground Churches but also several complete Underground Cities. One of the most interesting and best preserved is at Derinkuyu in the south-west of Cappadocia, located between the cities of Nevsehir and Nigde.

The early part of the Underground City at Derinkuyu pre-dates the Christian era, parts of it belonging to the 8th and 7th centuries BC.  It was used by Christians seeking to hide from Roman persecution during the first three centuries AD and then extended and used once more between the 5th and 10th centuries AD during the middle Byzantine period. Christians hid in this and other Underground Cities like it, to escape attacks from Arab Islamists which occurred from the 7th century AD onwards.

Carved out storage facilities at Derinkuyu © Ricky Yates
Carved out storage facilities at Derinkuyu © Ricky Yates
Door in the form of a millstone in the Underground City © Ricky Yates
Door in the form of a millstone in the Underground City © Ricky Yates

The Underground City at Derinkuyu has 11 different levels and descends to a depth of c85 metres. Within it there are rooms for food storage, kitchens, churches, stables, wine or oil presses, and shafts for ventilation. These ventilation shafts go down to the aquifer and also served as wells to provide fresh water. Large circular stones similar to millstones, could be rolled across each entrance, to prevent unwanted visitors. Such is the size of the complex, it was possible for many thousands of people to live underground within it for several months at a time.

Although first opened to the public in 1969, it is still only possible to visit 10% of the total complex. Those parts open to the public are reasonably well lit but in numerous places there is a very serious lack of headroom! It is certainly not a place to visit if you suffer in any way from claustrophobia!

The Underground City at Derinkuyu is another place I had visited during my 1975 trip and which I revisited with Sybille on Friday 16th October 2009. During my recent visit, I was very much struck as to how nothing had really changed from how I remembered it looking on my previous visit. Inevitably, it is not that easy to photograph though I hope these accompanying images will help to give some picture of this amazing construction.

Just for Karen, who seems to be the only person regularly commenting on my blog at present, (even though I know many others read it but don’t comment), here is a picture of me sitting within the Underground City complex at Derinkuyu, taken during my 1975 visit, showing me with vastly more hair and dressed to look like a good Australian (which I’m not!), in my shorts and long white socks!

Myself in 1975 inside the Underground City at Derinkuyu © Ricky Yates
Myself in 1975 inside the Underground City at Derinkuyu © Ricky Yates

Cappadocia – Land of Underground Churches

Old Testament Prophet with scroll © Sybille Yates
Old Testament Prophet with scroll © Sybille Yates

Along with Fairy Chimneys, the other unique attraction in Cappadocia is a whole series of Underground Churches, carved into the soft rock. Most have been decorated internally with an amazing variety of wall paintings and frescoes. There are rock carved Churches scattered right across Cappadocia but some of the most interesting and best preserved, lie in the upper part of the Göreme Valley, a few kilometres west of Ürgüp.

Christians settled in this part of Cappadocia in the second and third centuries AD. They carved and built these Churches and associated settlements, seeking to escape Roman persecution of their faith. After the Roman Empire adopted the Christian faith, there was less need to hide away in this remote area. But monastic and teaching communities remained.

From the seventh century AD and onwards, the increasing spread of Islam led more Christians to settle or re-settle here. Existing Churches were altered and expanded and newer ones carved out of the soft rock. From what I can discover, these Churches were not abandoned until sometime in the thirteenth century.

When I stayed in Ürgüp and visited these fascinating Churches in the Göreme Valley back in 1975, there were relatively few visitors and virtually no tourist infrastructure. A local Turkish young man took us around, showing us how to reach some of the more interesting and accessible ones. Access to some Churches was by steps cut into the cliff face which would send present-day health and safety executives into apoplexy.

 

 

Göreme 1975 - no hard surfaced access paths © Ricky Yates
Göreme 1975 - no hard surfaced access paths © Ricky Yates

Göreme 2009 - note the hardsurfaced path and guide ropes © Ricky Yates
Göreme 2009 - note the hardsurfaced path and guide ropes © Ricky Yates

This complex of Churches is now designated the Göreme Valley Open-Air Museum. The whole area is fenced off and managed. An entrance fee is charged, access paths made of stone cobbles have been laid, and ladders with handrails erected to allow for safer access to the Churches. Below the pedestrian entrance to the site, there is a coach and car park, with the usual associated stalls selling touristy souvenirs.

Our Turkish Guide in 1975 - note the cliff face steps to get to where he is sitting! © Ricky Yates
Our Turkish Guide in 1975 - note the cliff face steps to get to where he is sitting! © Ricky Yates

View across Cappadocia from Church entrance - note stairway with handrails to give safe access © Ricky Yates
View across Cappadocia from Church entrance in 2009 - note stairway with handrails to give safe access © Ricky Yates

Inevitably, many of the wall paintings and frescoes are damaged. Partly this is due to damp, wind and temperature change. But many of the paintings at lower levels were also vandalised in the past by shepherd boys and similar people who used the cave Churches for shelter and believed, according to Islam, that the images were sinful. Certainly the paintings and frescoes are now being protected from any further damage, flashlight photography is banned and it would appear that at least some are beginning to be restored.

The Baptism of Christ taken with flash in 1975 © Ricky Yates
The Baptism of Christ taken with flash in 1975 © Ricky Yates

The Resurrection of Christ taken without flash 2009 © Sybille Yates
The Resurrection of Christ taken without flash 2009 © Sybille Yates

The Crucifixion taken with flash in 1975 © Ricky Yates
The Crucifixion taken with flash in 1975 © Ricky Yates

The Crucifixion taken without flash in 2009 © Sybille Yates
The Crucifixion taken without flash in 2009. Note that the damage shown on the 1975 photo has been repaired © Sybille Yates

The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church. In the half-length image, Christ holds the New Testament in his left hand and makes the gesture of teaching or of blessing with his right. Below are two different examples from the Göreme Underground Churches taken 35 years apart.

Christ Pantocrator taken in 1975 with flash © Ricky Yates
Christ Pantocrator taken in 1975 with flash © Ricky Yates

Christ Pantocrator taken in 2009 without flash © Sybille Yates
Christ Pantocrator taken in 2009 without flash © Sybille Yates

Some of the early decoration of the Churches was quite simple in design and done with red pigment directly onto the walls. An example of this is below left. Later decoration was much more advanced with what is clearly recognisable as an Eastern Orthodox artistic style. These paintings were usually done on a thin layer of plaster laid over the bare stone walls, often covering up the earlier simple decoration.

Early Church decoration in red pigment © Ricky Yates
Early Church decoration in red pigment © Ricky Yates

The Last Supper - an example of a later style of painting © Ricky Yates
The Last Supper - an example of a later style of painting © Ricky Yates

Here from the Tokali Church, the largest Church in the Goreme Valley, is an example of both early and later styles of decoration. It is possible to see where some later painting on plaster has been placed over the earlier simple decoration that had been painted directly on the rock walls.

Painting in the Tokali Church with earlier simple decoration also visible © Sybille Yates
Painting in the Tokali Church with earlier simple decoration also visible © Sybille Yates

Cappadocia Landscape

Cappadocia Landscape 1975 © Ricky Yates
Cappadocia Landscape 1975 © Ricky Yates
Cappadocia Landscape 2009 © Ricky Yates
Cappadocia Landscape 2009 © Ricky Yates

I remarked in my previous post, that the landscape of Cappadocia in places looks more lunar than earthly! I think the two photographs above give a fairly clear indication of what I mean. The one on the left is a scanned slide taken during my trip in 1975. Unfortunately, the colour of the foreground has faded somewhat owing to the passing of 35 years. The one on the right is of the same area but from a slightly different angle, taken during my recent trip in October 2009.

The soft nature of so much of the rock has lent itself to being carved into, in order to provide houses, stables for animals, dovecotes, storage facilities and the like. These days, not many people live in purely cave dwellings. But many houses with stone frontages often still extend backwards into older hillside caves.

Below is a picture of the village of Uchisar which lies immediately below the highest point of this amazing lunar landscape. Caves carved into the rock face can be seen in conjunction with more modern village houses.

The village of Uchisar, Cappadocia © Ricky Yates
The village of Uchisar, Cappadocia © Ricky Yates

Cappadocia – Land of Fairy Chimneys

Fairy Chimneys in Cappadocia © Ricky Yates
Fairy Chimneys in Cappadocia © Ricky Yates

In the early afternoon of Wednesday 14th October 2009, we drove into the town of Ürgüp, located in the central Anatolian region usually known by its ancient name of Cappadocia. Here the landscape in places looks more lunar than earthly! This is the result of eruptions from two or three nearby, now extinct volcanoes, which covered the surrounding area with volcanic lava and ash. The resultant landforms are quite spectacular and attract many visitors.

Driving into Ürgüp, we spotted the Melis Hotel and went to enquire about the cost and availability of rooms. The hotel attracted me for two reasons. One was that it was a well preserved old building, very much in keeping with the surrounding landscape. Subsequently, I discovered that it is a 300 year old Greek House which has been very sympathetically renovated and extended. The other attraction was that it had an outdoor swimming pool which still had water in it. Despite the daytime temperature being between 25 – 30 degrees Celsius, various other hotels we had seen in Ürgüp  and elsewhere, had already emptied their pools for the forthcoming winter.

The Rev’d John Skinner, with whom we stayed at Selcuk the previous Sunday night, had wisely advised us never to pay the advertised price for a hotel room whilst in Turkey. Having been shown various rooms and been told what the ‘normal price’ for each of these was, I successfully negotiated a ‘special price’ for us staying for three nights and paying in cash with Euro notes. I got a reduction of 16.66%!!!! Something we had discovered in Croatia in July and now in Turkey, is that the role the US dollar used to have for travellers 20 – 30 years ago, has now been replaced by the Euro. Carrying and paying cash in Euro gave us better deals on numerous occasions during our trip.

The outstanding feature of the Cappadocian landscape is one that I have already featured in my previously post. Whilst the most of the lava rock surface is hard, fissures in the rock have allowed water to penetrate and erode the much softer rock beneath.  Once exposed, this softer rock has then been further eroded by wind-blown sand grains. This has created in numerous parts of Cappadocia, a series of landforms usually known as ‘fairy chimneys’. They are quite extraordinary as I hope you will see from the accompanying photographs.

Fairy Chimney In Cappadocia © Ricky Yates
Fairy Chimney In Cappadocia © Ricky Yates
Divided Fairy Chimney in Cappadocia © Ricky Yates
Divided Fairy Chimney in Cappadocia © Ricky Yates
Fairy Chimney in Cappadocia © Ricky Yates
Fairy Chimney in Cappadocia © Ricky Yates
Fairy Chimneys in shape of a Swan © Ricky Yates
Fairy Chimneys in shape of a Swan © Ricky Yates

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The hard caps on top of the ‘chimneys’ protect the softer rock beneath. However, the soft rock does still slowly erode, eventually causing the collapse of the chimney. The different colour and texture of the various rock layers is evident in these photos.

Fairy Chimneys in Cappadocia © Ricky Yates
Fairy Chimneys in Cappadocia © Ricky Yates